kampyootar aadhaarit sangeet mishran sophtaveyar ke lie kaee saal pahale
brek ko majaboor kiya gaya tha. udyog mein paryaapt odiyo kaaryakram
hain jo aapako apane kampyootar par apane svayan ke raip beets ko
milaane kee anumati dete hain. vaastav mein dhadakan paida karane ke lie
uchch-keemat vaale pro stoodiyo sistam ke lie vaastav mein bhugataan
karane kee koee aavashyakata nahin hai. in nae kaaryakramon mein puraane
skool dram kampyootar ke saath-saath solid stoodiyo saund bord ka
stailish phlaish hai. softaveyar ka yah roop shuruaatee logon ko kuchh
hee samay mein hip hop beets banaana shuroo karane kee anumati deta hai.
ek baar jab aap aage kee or dekh rahe hain, to aap plag-in midee
keebord aur any niyantrakon ka upayog karake lay khareedana aur prograam
karana chaah sakate hain.
koee phark nahin padata ki aap apana khud ka beet banaane ke lie kis
kaaryakram ka upayog karate hain, yahaan kuchh buniyaadee salaah dee
gaee hain:
i) niyantran: jis tarah se aap apane sangeet kee rikording aur plebaik
ko niyantrit karate hain, vah sambandhit sangeet khilaadee se sambandhit
hai. aapake paas apana naatak hai, rukie, jaldee-jaldee, aage peechhe,
rukie, aur rukie. aap apane maus ke saath, ya keebord shortakat ka
upayog karake in kaaryon ko nirdeshit kar sakate hain. yah bahut
vishvasaneey aur pratyaksh hai, yahaan kuchh bhee nahin bikhar raha hai.
ii) kaalakram: ek dijital odiyo pleyar par sangeet kee tarah,
samay-rekha baen se daen jaatee hai kyonki yah aage badhatee hai.
sophtaveyar ke on skreen intarafes mein ek taim-lain hai jo aapako traik
aur samay par sab kuchh rakhane kee anumati deta hai. in samay khandon
ko chihnit karane ke lie lainon ka upayog kiya jaata hai, ye aapake
upayog ke lie sandarbh bindu hain. aap samay-samay par un kshetron mein
nots sammilit karenge jahaan unhen padha jaana chaahie.
iii) traik: yaheen par samay-rekha ke saath ek sthaan mein pratyek
dhvani bajatee hai. patariyon ko baeen or, oopar se neeche tak dikhaaya
gaya hai. traik ka pratyek kshetr jise aap not karate hain, dhvani
karega. udaaharan ke lie, kik, sneyar aur haay hait pratyek patariyon
mein khelate hain, unhen taim-lain ke vilakshan kvaadrant mein vibhinn
daron par sakriy karane ke lie nirdhaarit kiya ja sakata hai.
iv) saund baink: saund laibreree vah jagah hai jahaan aap instrooment ke
detaabes aur / ya dram saund se chayan karate hain, jisamen aap unamen
se pratyek ko jahaan aap chaahate hain, unhen apanee beet mein sanlagn
kar sakate hain. sabase phit myoojik miksing sophtaveyar kee aavaaj
hajaaron mein achchhee honee chaahie. vibhinn saanpon, baas kiks, haay
haits, klaips, saund iphekts, aur aapake sangeetamay ansh mein upayog
karane ke lie samarpit upakaranon ke saath, aap keval apane rachanaatmak
vichaar se baune hain.
v) tempo: yah aapake gaane kee gati kitanee tej ya dheemee hogee. geet
kee gati ko kam karane ka ek tareeka hoga. yadi ek geet hai jo uptaimpo
ya dheemee gati se hara hai jo "jhoole" aur aalasee hai, to aap aisa kar
sakate hain ki mainyual roop se mooly daalakar ya oopar aur neeche teer
ka upayog karake. aapakee taim-lain tempo suvidha ke saath samakaalik
hai, aap yah bhee tay kar sakate hain ki aapaka myoozikal pees kis taim
signechar mein chalega. har baar signechar ke lie yah ek bhayaavah sving
hota hai, aap ise tab tak prayog kar sakate hain jab tak ki aapako
kuchh pasand na aa jae.
vi) ise milaate hue: stoodiyo saund bord kee tarah, aapake paas apanee
ungaliyon par slaidars aur / ya knobs ka poora set hai. ye aapako
pratyek traik ke aayatan, aiq, aux aur prabhaav aautaput ko niyantrit
karane denge. yadi aapaka piyaano ya sneyar aaitam jor se nahin hai, to
aap slaidars ka upayog karake ise apanee pasand ke anusaar adhik pamp
kar sakate hain. aapake paas baen se daen tak "pain" karane ke lie knobs
bhee hai, yah aapako dhvani kee maatra ko theek karane kee anumati deta
hai jo ya to kaan sunenge. isaka ek udaaharan yah hai ki yadi aap
chaahate hain ki aapaka taar khand baeen or adhik pramukh ho, to aapako
bas itana karana hai ki pain nob ko baeen or mod den.
vii) odiyo prabhaav: adhikaansh yogy dram masheen sophtaveyar aapako
kuchh vishesh, aakarshak aur asaamaany dene ke lie patariyon ko
prabhaavit karane ke lie odiyo prabhaav pradaan karane kee anumati deta
hai. dhvani ko adhik vikat banaane ke lie vikrti jaise prabhaavon ka
upayog kiya ja sakata hai, jabaki koras dhvani ko doguna kar dega.
vilamb kuchh doharaaya pratidhvani jod dega, jaise ek ghaatee mein।
raivairb, vaady dhvani karega jaise ki yah ek kamare ya konsart hol mein
hai. prabhaav ka upayog karane par koee maanak niyam nahin hai, ve
vaastav mein aapakee aatma ko phir se jodane ke lie charitr aur shailee
jod sakate hain.
isalie samaapan mein, adhikaansh raip sangeet sophtaveyar mein ye sabhee
visheshataen hain aur bahut kuchh. keval sophtaveyar ke pratyek bhaag
kee seva ke baare mein thoda sa jaanane se aap adhikaansh dabbalars ko
nipataane kee anumati denge.
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